![]() One of the earliest known DJs is Jamaican immigrant Clive Campbell, known as DJ Kool Herc. DJ Kool Herc spins records in the Hunts Point section of the Bronx at an event addressing “The West Indian Roots of Hip-Hop,” February 28, 2009. He has been affiliated with the Acadiana Center for the Arts since 2004 and is also currently a touring artist for Young Audiences of Louisiana.Ĭlive Campbell fig 8. He currently travels as a motivational and educational speaker/artist who performs in schools, libraries, festivals, and more weekly to spread his message of positivity. ![]() He began traveling throughout the US to participate in underground B-Boy Battles and continued learning about a variety of dance styles. This led to him becoming an original member of a local dance group Kabuki Kru. Morgan began as a self-taught dancer doing mostly freestyle (improvisation), where he was introduced to the hip-hop dance style of B-Boying. Terrance Michael Morgan: Born and raised in Louisiana, he is on a mission to improve the lives of today’s youth by promoting positive youth development through the act of art, dance, speaking and more. Falsas Promesas Broken Promises, John Fekner, Charlotte Street Stencils, South Bronx, NY 1980 CC-BY-SA 3.0įig 7. Marginalized inner-city African American and Latinx youth found an outlet to release frustrations through a lifestyle informed by shared living experiences that brought the community together.įig 6. Hip-hop emerged from this socioeconomic turmoil in the early 1970s. From 1973 to 1966, the Bronx “lost 600,000 jobs, more than 5,000 families were displaced, and some 30,000 fires were set in the area” (Durden). “For a couple of years, fires had routinely erupted in the South Bronx” as people burned down buildings hoping to collect insurance money (Wikipedia). In the 1977 World Series between the New York Yankees and Los Angeles Dodgers, Howard Cosell announced, “the Bronx is burning” (Wikipedia). These became overrun by gangs and a rampant drug scene.īy the 1970s, poverty among residents had significantly increased. Government-subsidized houses known as the projects were built to provide affordable housing to low-income families. As people left, local businesses closed, and job opportunities became scarce, causing high unemployment rates. Families lost their homes and left the city to move into the suburbs. The community was plagued by the decay caused by the destruction of homes with the Cross Bronx Expressway construction. ![]() This refers to having gratitude for your heritage that will give you insight into your future and self-understanding.ĭuring the 1950s, residents living in the East Coast borough of the Bronx, New York City, struggled to survive in dire socio-economic conditions caused by poor city management. Knowledge is the culmination of the Afro-diasporic cultural components to recover power from oppressive systems through spiritual and political awareness. Breaking is improvisational and emphasizes the dancer’s style and athleticism while responding to the musical accompaniment, typically funk music. CC-BY-NC-SA 2.0īreaking is considered the original street dance associated with the hip-hop subculture. A performer at “Don’ t Hit Mamas dance party.” Presented in partnership with Harlem Stage. Rapping has roots in West Africa, where griots, or storytellers, were responsible for preserving their people’s “genealogies, historical narratives, and oral traditions” (Britannica). They became the community’s voice, using improvised spoken words and rhymes to tell the social conditions and experiences of the community, often shedding light on social injustices. It was the emcees’ responsibility to pump up the crowd during parties. Through their experimentation with turntables and records, DJs found innovative ways to manipulate, isolate, extend, and loop the musical rhythms for dance.Įmcees (MCs) are also known as the Masters of Ceremonies. DJs initially hosted dance parties as part of social events. Attributed to Vinnebar CC-BY-SA-3.0ĭeejays (DJs), or disc jockeys, emerged as “the sounds and memories of the community” (Durden). Later, crews used graffiti to claim territories. Graffiti gained attention in the late 1960s when political activists illegally “tagged” or marked public places in defiance of government policies. Graffiti is “the visual language of the hip-hop community” (Durden). Hip-hop is a cultural expression characterized primarily by five foundational components: graffiti, deejaying, emceeing, breaking, and knowledge. Members of a Rwandan dance troupe perform at the Mountain Gorillas Nest lodge.
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